Dr. Abraham Verghese
author of "Cutting For Stone"
Dr. Verghese visited our Palo Alto Book Club on 18 January 2011
Here are some of the things that he had to say to us. I wrote them down in the first person, though I am paraphrasing:
"Cutting for Stone" has now been on the NY Times best seller list for 51 weeks. I think that book clubs are terribly important for the success of a book. I have often fantasized about being a fly on the wall at a book club meeting while they discuss my book. I always think about the reader when I am writing.
A title should be a bit mysterious, so the reader can fill in the gaps. The story is really where the author's words meet the reader's mind. But long after I decided on the title for the book, I changed the name of the family in the book from Pickering to Stone, so the title would work even better.
John Irving is a good friend of mine. Frank Conroy was my instructor at the Iowa Writers Workshop. "The Tin Drum" by Günter Grass (1959 novel) heavily influenced my writing work. "Of Human Bondage" by W. Somerset Maugham (1915 novel) first got me interested in writing about medicine.
Nonfiction books sell 20 times more then fiction. But, as Dorothy Allison said, "Fiction is the great lie that tells the truth about how the world really lives."
I got a story called "Lilacs" published in the New Yorker, and have gotten other work published there too.
http://www.abrahamverghese.com/images/NewYorker_Lilacs.pdf
(October 14, 1991 edition of the New Yorker.)
The Prime Minister of Ethiopia was a classmate of mine and so the New Yorker sent met there to interview him. The New Yorker pays $1 per word.
I identify myself as a doctor, first and foremost. Whereas William Carlos Williams (1883 - 1963, poet, writer, and physician) probably worked harder at being a writer than he did at being a physician. It is a great luxury to be able to have a nice life without having to make my living from writing. I think writers do well to have a day job because then the pressure is off to make money from it, and also they are in the big river of life, which informs their work.
The editor had a huge influence on the book. At some point the editor said that I had to have more of the story fleshed out, so I went to New York and spent a few days getting more of the details nailed down with her. Sometimes the editor would say that I had to take 150 pages out and use it in some other book, that it wasn't necessary in this book.
I use my writing in the place where other Stanford faculty do research.